Sometime in the last few years bored programmers realized that they could strap things like chairs and surfboards to the end of an assembly line robot - and so was born the robocoaster. Here are some videos of them as actual rides and as a recreational high for coders.

If you believe adverts like these, sugar, Fat, TV, Coke, cocaine, radiation, cigarettes: they’re all actually good for you. Manufactured consent!

The earliest remotes were neither wireless or used to control TVs. Since the 30s devices were available to control radios, Philcos 1939 wood and Bakelite model was actually wireless and predates any TV remote. TV remotes started with gadgets such as the Zenith Lazy Bones and it was Zenith who introduced the first cable free TV remote, with the Flash-matic.

I deliberately picked spiral ramps as opposed to spiral staircases, since they include buildings whose entire form is determined by the ramp rather than being merely a feature. Examples include everything from the Guggenheim to the Reichstag, the Tatlin Tower, Lingotto Factory or Lubetkin’s brilliant Penguin Pool at London Zoo. My personal favorite is the spiral ramp at Convair Aeronautics, by Pereira and Luckman, the people that designed the now defunct control tower at LAX. The insane but amazing proposal for a half mile high drive up skyscraper for the 1937 Paris exhibition is one example of a spiral ramp car park, and I’ve thrown a few examples of anonymous car park ramps into the mix to show how beautifu these often overlooked pieces of background architecture are.

I didn’t go for just massive or complex for the items in this list but tried to pick a variety of water slides that were each special in their own way. Items range from the obviously impressive ‘Insano’ in Brazil to various sinewy beauties and the simple but surreal canal side water slide in the Netherlands, which looks like a post modern take on a 17th Century Dutch landscape painting.

Both the second world war and cold war produced particular styles and uses of bomb shelters that were unusual, from Swiss suburban houses with mandatory blast shelters and several years of food to the use of London’s tube stations as shelters during the second world war. Here are a few examples of vintage shelters, each with a hint of retro irony or bygone strangeness.

One of the ways to get something architecturally novel built is to tell people it is temporary. Despite the fact that 99.9% of buildings are temporary over a few generations, people seem to tolerate something as long as it will be gone before they are. As a result, several of the worlds most famous pieces of architecture (Barcelona and Rietveld pavilions) or some of the worlds most famous city landmarks (Eiffel Tower, London Eye) have remained because they won people over after the fact.

There is possibly no simpler gadget that is more creepy than a vintage ventriloquists dummy. A primitive automaton that threatens to come to life and haunt you. Here are a collection of slightly unsettling old ventriloquy puppets with their often equally unsettling owners.

Bridge layers have to be about the closest thing in the real world to a Transformer, giant fold up, extendable instantly deployable bridges that are most often fixed to modified tanks. They have been around since tanks first existed, during WW1, and are one of the more bizarre and obscure forms of military hardware. There is also something incredibly circular about a vehicle that carries its own road.

When I was an architect, it was common for structural engineering books to have this image of two people effortlessly supporting a third to demonstrate the cantilever principal of the famous Forth Rail Bridge outside of Edinburgh. When I was looking for this picture, I noticed that the people were different. It turns out that this iconic image is not unique and here are the three variants I could find, making this the shortest (and one of the more obscure) oobject list to date.

Roman cavalry would often have lifelike armored face masks which were deliberately expressionless to add to their creepiness. Conversely, traditional Japanese face armor is often contorted into aggressive displays of anger. Ironic somehow, since the Japanese are considered stoic and in control of their emotions whereas modern day Italians are caricatured as anything but. Military masks are interesting because they reveal the underlying hidden character of the often faceless uniforms of war. They range from early lifelike representations to some of the more abstract examples during the Renaissance or the accidentally terrifying arctic warfare masks of the otherwise friendly Swedish.

Up to the 19th Century mentally ill people were sometimes chained naked in squalid conditions in places like London’s Bethlehem hospital which became synonymous with chaos (its name being contracted to bedlam) and where tourists would pay to see the freak show. Then came the extreme rationalism of the Kirkbride plan which created a very unusual form of architecture for asylums throughout the Anglosphere that was used until the 20th Century. As a result of their demise, most are abandoned ruins today, giant, rotting testimonies to a bygone era of clinical Victorian discipline combined with neo-Gothic extravagance.The Kirkbride plan consists of an enormous a symmetrical staggered wing, like a bird made out of lego. Men are on the left and women on the right in wings that radiate from the main entrance for increasingly violent or incurable patients. Early mental institutions where patients had to pay for their own incarceration would also vary in class (rich to poor) on the y axis. The staggering of the wings ensured the flow of air through each, purging them of diseased vapors perhaps, such was the Victorian obsession with fresh air, from outdoor Tuberculosis wards to seaside promenades and piers.

Before rendering, 3d computer models are displayed as wireframes, which have a particular aesthetic. Several artists have tried to capture this in real life, with surreal models of things that aren't really there. I also threw in Gaudi's classic upside down catenary arch model of Sagrada Familia, for its sheer prowess.

Here are some examples of things we put in space that came back down. They went up shiny and futuristic and what came back looks like medieval remains.

Crumbling hospitals are archetypal places of creepiness, because they are ironic. An hospital is a place that is supposed to be clean, from bedding to bathing to surgery and this has been exploited for dramatic effect in films from Jacob's Ladder to 12 Monkeys and the more recent Shutter Island.Abandoned hospitals are also a popular destination for urban explorers, so here I've picked the best examples I could find from records of their adventures on Flickr. But continue to have a look there for some other great shots.The set pieces are where a few pieces of furniture and medical equipment remain in a decaying room, to the extent that some of these are obviously staged from found objects, but they're no less impressive.

For no other reason than these things look slightly disturbing here a re a variety of devices to measure bits and pieces of your head, for quack or legitimate purposes or just to hold it still.

This may seem like an overly esoteric oobject, but there is something interesting about the shape of a hairdryer - an item designed largely as a female beauty product that is often shaped like a gun or looks like sticking your head in a jet engine. One of these is actually shaped like a gun. The most interesting ones I could find were the machine age chrome ones or some of the more bizarre soft bonnet versions.

Most of these are either clearly dangerous, such as the shoe fitting x ray machines that were popular until the 50s or show a bizarre Alien-like (as in H.R. Geiger) aesthetic that is a world apart from current medical equipment. Bug-like metal castings in place of ubiquitous white plastic.

Magician's posters are a particularly interesting form of advertising, since they are selling something which is, by definition, fake. This often leads to a particularly exaggerated and interesting graphic style, particularly with hypnotists. My favorites are the turn of the century ones which have early modernist or art deco graphics which predate their use in movie posters.

I like these buildings, their high contrast sculptural forms give me a kick. But then again, I have a damaged view because I'm an architect, taught by the types of people who built these inner city sea-defenses. They were designed to last a 1000 years under the ravages of nature, but often haven't lasted 50 under the impact of public opinion.Architects will tell you that the term Brutalism comes from the French term for raw concrete, ‘beton-brut', but then again brut and brute share the same root and nobody but the completely stupid or naive would believe that the association will always be with the latter. This association is re-enforced by the use of brutalist buildings as the setting for a Clockwork Orange or the fact that Ian Flemming hated his Brutalist architect neighbor, Erno Goldfingerso much that he named a James Bond villain after him.Brutalism, for all its International credentials is really a British thing, and damp, concrete fortresses like the Park Hill Estate in Sheffield will never look like the Salk Institute, because Britain's weather is not like California's. But then again, if you like this thing then there are no better examples than Lasdun's National Theatre or Neave Brown's Alexandra Road.