Before rendering, 3d computer models are displayed as wireframes, which have a particular aesthetic. Several artists have tried to capture this in real life, with surreal models of things that aren’t really there. I also threw in Gaudi’s classic upside down catenary arch model of Sagrada Familia, for its sheer prowess.

Here are some examples of things we put in space that came back down. They went up shiny and futuristic and what came back looks like medieval remains.

Crumbling hospitals are archetypal places of creepiness, because they are ironic. An hospital is a place that is supposed to be clean, from bedding to bathing to surgery and this has been exploited for dramatic effect in films from Jacob’s Ladder to 12 Monkeys and the more recent Shutter Island.

Abandoned hospitals are also a popular destination for urban explorers, so here I’ve picked the best examples I could find from records of their adventures on Flickr. But continue to have a look there for some other great shots.

The set pieces are where a few pieces of furniture and medical equipment remain in a decaying room, to the extent that some of these are obviously staged from found objects, but they’re no less impressive.

For no other reason than these things look slightly disturbing here a re a variety of devices to measure bits and pieces of your head, for quack or legitimate purposes or just to hold it still.

This may seem like an overly esoteric oobject, but there is something interesting about the shape of a hairdryer – an item designed largely as a female beauty product that is often shaped like a gun or looks like sticking your head in a jet engine. One of these is actually shaped like a gun. The most interesting ones I could find were the machine age chrome ones or some of the more bizarre soft bonnet versions.

Most of these are either clearly dangerous, such as the shoe fitting x ray machines that were popular until the 50s or show a bizarre Alien-like (as in H.R. Geiger) aesthetic that is a world apart from current medical equipment. Bug-like metal castings in place of ubiquitous white plastic.

Magician’s posters are a particularly interesting form of advertising, since they are selling something which is, by definition, fake. This often leads to a particularly exaggerated and interesting graphic style, particularly with hypnotists. My favorites are the turn of the century ones which have early modernist or art deco graphics which predate their use in movie posters.

I like these buildings, their high contrast sculptural forms give me a kick. But then again, I have a damaged view because I’m an architect, taught by the types of people who built these inner city sea-defenses. They were designed to last a 1000 years under the ravages of nature, but often haven’t lasted 50 under the impact of public opinion.

Architects will tell you that the term Brutalism comes from the French term for raw concrete, ‘beton-brut’, but then again brut and brute share the same root and nobody but the completely stupid or naive would believe that the association will always be with the latter. This association is re-enforced by the use of brutalist buildings as the setting for a Clockwork Orange or the fact that Ian Flemming hated his Brutalist architect neighbor, Erno Goldfingerso much that he named a James Bond villain after him.

Brutalism, for all its International credentials is really a British thing, and damp, concrete fortresses like the Park Hill Estate in Sheffield will never look like the Salk Institute, because Britain’s weather is not like California’s. But then again, if you like this thing then there are no better examples than Lasdun’s National Theatre or Neave Brown’s Alexandra Road.

Although current proposals for 4000 mph Maglev trains running in evacuated tubes, would offer New York to Beijing in less than 2 hours, built versions of pneumatic railways predate regular subways. Brunel built one, and an underground pneumatic railway was built by Alfred Ely Beach, in Manhattan, in 1869. The late 19th century stock market crash, depression and Civil War, destroyed the idea and little of it remains apart from the station, which features in the movie Ghost Busters II.

Cargo holds are often impressive, cavernous spaces containing strange and interesting objects and equally interesting when empty, often displaying a stark minimalist beauty. They are iconic spaces which often feature in video games and in science fiction, perhaps most famously in Aliens. Here we show our favorites from the real world including giant cargo planes, ships holds that have been turned into a restaurant and a theater and, of course, the Space Shuttle cargo bay.

Skype is an idea that was conceived of by the Victorians, featured in movies in the 20s and became an icon for futurism, and yet the videophone has become ubiquitous independently of telecoms companies. How is it that an idea that could have been seen from such a long way off didn’t get developed by phone companies, leading to the ridiculous situation where a phone call costs money but a Skype video phone call is free? Here’s a visual history of early videophone concepts.

I started this list as a Thanksgiving homage to American innovation via its greatest inventor. Reading more about Edison and his strange obsession with things like filming electrocutions, using alternating current, of everything from small animals to people and even an elephant, just to try and put people off the rival AC system, managed to put me off him. So as an act of revenge here are some of his less successful, stranger inventions from concrete phonographs to what became the tattoo machine and a ghost detection instrument. Happy Thanksgiving anyway.

In some sense these are steampunk iPods, a ridiculously old fashioned and quixotic category of technology, because there is nothing portable about a record, particularly the brittle shellac versions of the gramophone era. Overcoming this lack of portability is precisely what makes these devices so beautiful and intricate, however, from the later versions which were installed in cars and music systems to the fantastic Peter Pan picnic player, where everything folds out including the platter and the telescopic trumpet. The Peter Pan style came from Europe, when they were called Kamerphones since they looked like the box cameras of the time. They were imported by the Jehovah’s Witnesses to take on their rounds and play bible discourses outside people’s doors.

According to Bismarck the two things you should never see being made are laws and sausages. Here we reveal the machines involved in the process that is less stomach churning – it involves taking meat and making it into a brown paste then putting it into a colon, traditionally pigs intestines but now plastic. The irony of this being the exact reverse of eating and pooping, obviously hadn’t been lost on the German general.

There are no more distressing images here beyond what you’d see in the meat section at the supermarket (merely gross ones), but the clip for the Advanced Meat Recovery System which is accompanied by some smooth dinner jazz and whose opening caption reads ‘preparing the beef neckbones with a bandsaw’ wins a prize for lack of sensitivity.

Babel is interesting because it represents the ultimate in imaginary architecture, a skyscraper of the mind. The Tower of Babel is the archetypal image of a giant tower, a man made hill, yet nothing like our idea of it has ever been built. The closest are possibly Mont Saint-Michel or perhaps the downtown Manhattan cluster, yet one is a natural mound and the other an apparent hill created from many buildings.

The idea of Babel traces back to ancient Sumerian stories from the time of 5000 year old Mesopotamian Ziggurats, to the reinterpretation of these myths in the book of Genesis. In the 16th century the ironic obsession with Babel among 16th century painters in hill-less Lowland Europe, created the most well known imagery, but it evolved further with the unbuilt Palace of the Soviets or the imaginary babel in the retro futuristic skyscraper cities of Fritz Lang’s Metropolis.

The monorail perfectly exemplifies that nothing dates like the future, it is a piece of anachronistic technology that is today largely relegated to theme parks and inter terminal airport transit. Although the archetypal image of a monorail is the 1959 Disneyland version, as this list shows, its design history traces back to the middle of the 19th century, with steam driven versions that share none of the futuristic aesthetic of the streamlined post war versions. In this case, although the pioneering system from a technical point of view was the 1952 German Alweg, the 1911 Boyes monorail prototype shows the origins of the futuristic look.

Scoping this list was more difficult than finding the items – I’ve tried to keep to electronic devices, the first transistor radio rather than the First radio, and products that were actually sold such as the Dycam Model 1 digital camera rather than the Fuji DS-1P.

My favorite here is the first web server, it was one of 2 NeXT machines bought for Tim Berners Lee and nobody knows which one (they both survive) was the first to serve a web page. The NeXT was a beautifully designed machine that Steve Jobs built to show what a personal computer should be, after being ousted from Apple. Berners Lee specifically needed a NeXT to be able to build the web and had difficulty getting approval.

You could argue the first web server is merely the machine that happened to perform a first role, rather than a device designed for a purpose, but the fact that Berners Lee needed the NeXT to be able to develop the web quickly and elegantly, shows that sometimes the development of the first example of something predates it actually being used for the pioneering purpose for which it is suited.

Anyone self respecting geek who has been spellbound by the inspired rescue of the Chilean miners, will have found plenty of great info-graphics showing just how impressive a mine is. Here we have gathered some other cutaways, sections and 3d models showing a variety of mines, from the two coal mine alternatives (room and pillar or longwall) to the cavernous chambers of salt mines. Most impressive of all, however, is the physical model of Kidd Creek mine in Ontario where the relatively insignificant looking blobs at the bottom are the world’s tallest man made structures, to scale.

When Craig Breedlove built the first of the modern jet-propelled record breaking cars in his garage, he named it the Spirit of America, this could have just as well pertained to the place of creation as the object itself. The garage is a symbol of creative entrepreneurialism, people making anything from cars to music to robots and, of course, the Apple computer.

We tend to think of submarines as being a particularly 20th century object when we imagine the nuclear powered, nuclear missile carrying versions. Obviously however, they feature in the Jules Verne classic, ‘20 Thousand Leagues Under the Sea’ and are, as such a definitive Victorian piece of technology, or to use the term currently in vogue, ’steampunk’.

Although the idea of a submarine began as early as the 16th century, it was in the Victorian era that the modern cigar with periscope form was developed with France’s Gymnote in 1889.

Included here is a picture of the model of the Plongeur which was exhibited at the Exposition Universelle in 1867. This was the actual item that Jules Verne saw and inspired the Nautilus in his seminal science fiction work, making it an historic item in the cultural history of technology.

Today, prosthetics are a world apart from these pre-digital age examples, using advanced robotic and cybernetic technologies and tools such as 3-d printers for mass customization. As such vintage prosthetics often have the particularly strange look which is both creepy and fascinating and accompanies technological obsolescence.

Early prosthetic limbs date from ancient Egypt and Rome, however examples from the middle ages appear more regularly, being made of armor. The were later replaced by non articulated wooden prosthetics, of the caricature style normally worn by pirates. The tragically large number of amputees in the Napoleonic Wars led to the development of the “Clapper”, named after the sound made by its articulated toes which were controlled by artificial tendons. This prosthetic became the model for the “American Leg” which was developed during the American Civil war. Wooden prosthetics were heavy and were not improved on till the development of lightweight alloys, during the first World War.

After the furor over the potential Koran burnings last week, I had a look at the precedents, which it seems are everywhere, from Harry Potter to the Bible. For thousands of years, all religions and ideologies have been burning each others’ texts.

Antarctic architecture provides imagery of the closest thing that people will be able see to a moon base, within their lifetimes. The extreme nature of the environment combined with its bizarre statelessness, provides the location for a freezing architectural expo, with each country having its own icy pavilion.

Since the early days of wooden huts, the architecture has converged on a style which consists of a pod on legs, somewhat reminiscent of Thunderbird II’s cargo bay or the Space 1999 freighter. In addition large scale experiments such as the south pole telescope or ice cube neutrino detector (which is technically a telescope at the north pole since it watch for particles which have traveled through the earth) provide equally interesting accidental architecture, in that their designs are purely functional.

Included here are notable landings based upon being spectacularly close to high rises (the old Hong Kong airport), very short runways (Saba, aircraft carriers), specific vehicles (the Space Shuttle and Concorde) or a reconstruction of the Amazing US Airways flight 1549 which ditched safely in the Hudson after all engines failed.